(Originally posted 5/20/12)
I love science-fiction; I always have. As I started film school in early 2008, I already had a lot of ideas for projects swirling around in my head, and one of them was set in the cold, black expanse of space. I don’t remember much else about that original kernel of an idea, but it must have been very strong, because I sat down on my computer and knocked out a quick animation test of small, pock-marked planet spinning against the stars.
This CG test stayed with me for several months until I had to write a short screenplay (5 pages max) for school. What came out was a script called “Jupiter IX” that centered on a quiet, determined man crossing space on a quest for vengeance, ending at the titular space station. It was simple, with just a handful of lines, but the mood of the piece really stuck with me. Even though it was told on a backdrop that was infinite, the story felt claustrophobic, a juxtaposition that I felt could be very successful.
Fast forward several years, and I hadn’t really given “Jupiter IX” much additional thought. I had gotten hung up on shooting my student films and producing my thesis project, but when I graduated film school, things cooled off for me. When I entered the filmmaking job market in Miami in late 2009, I was completely disinterested with the lack of work and creativity that met me. Turning my back on that world, I kept my head down and continued work as a graphic designer, waiting for something to reignite the filmmaking passion that I’d lost.
Until about a month ago. Much like science-fiction, I have always loved stop-motion animation. Two of my favorite films of all time are Wes Anderson’s “Fantastic Mr. Fox” and “The Nightmare Before Christmas”, the latter of which I consider a perfect film. So, about a month ago, I ordered a couple books on the technical aspects of stop-motion, and I devoured them. I wanted to try my hand at it, feeling that it could be a perfect medium for me: I draw, paint, sculpt, write, and have degrees in both film and digital animation. I even have done voice work on past projects. So I started to think of projects to work on, until it hit me… “Jupiter IX” had been waiting for me since 2009 to realize exactly how to make it.
Now, we finally get to the point of this entry. After a period of research and soul-searching, I am officially announcing that “Jupiter IX” will be the first project to be produced by 17 Presidents Productions, and that development is beginning immediately, with the end goal being a completed stop-motion short with professional level execution and storytelling. This will be a long process, and I have no belief that it will be anything but difficult, but I am excited to take the challenge head on.
But there is a second announcement as well. I am asking you along for the ride. Through this journal, I will be making frequent updates throughout development. I will be posting each step of the way to give you a closer look on the challenges, failures, and triumphs that I’m bound to encounter. There will be pre-production and design artwork, as well as photos and videos of work in progress.
So, I leave you with the first piece of pre-production art: the original planet test from 2009.
Thank you ahead of time for your interest, love, and support. It’s going to be a fun ride.